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Second Lead Syndrome in the Most Heart-Wrenching Chinese Dramas, Eliciting Both Sympathy and Respect

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Second Lead Syndrome in the Most Heart-Wrenching Chinese Dramas, Eliciting Both Sympathy and Respect Cheng Yi in the Chinese drama Immortal Samsara - mydramalist

Kapanlagi.com - The phenomenon of second lead syndrome is not exclusive to Korean dramas. In Chinese dramas, second lead characters are often written more realistically, full of sacrifice, and quietly painful.

Rather than forcing their love, they choose to step back, concede, or even silently harbor their feelings. That’s where their strength lies. The audience not only feels sympathy but also respect for their life choices.

Here is a list of the most heart-wrenching and unforgettable second leads in Chinese dramas.

1. Changheng in Love Between Fairy and Devil (2022)

Zhang Linghe as Changheng in Love Between Fairy and Devil - editing by kapanlagi.com

Cast: Zhang Linghe

Changheng is the perfect definition of 'unattainable love'. He loves sincerely, protects selflessly, but must let go because of fate that does not favor him.

As a god with great responsibilities, Changheng often suppresses his own feelings for the sake of others. He never truly fights for his love selfishly, instead choosing to step back gracefully.

This is what makes the audience not only sad but also respect his character. Changheng does not lose because he is not good enough, but because the timing is never right.

2. Runyu in Ashes of Love (2018)

Cast: Luo Yunxi

Runyu is one of the most complex second leads in the world of Chinese dramas. Initially, he appears as a gentle, caring, and loyal figure.

However, beneath that, he harbors deep past wounds. Betrayal, loneliness, and ambition slowly transform him into a darker character.

What makes this character strong is that his transformation feels reasonable. The audience cannot fully hate Runyu because they know that everything he does stems from pain. At this point, the second lead syndrome turns into an emotional dilemma.

3. He Ziqiu in Go Ahead (2020)

Cast: Zhang Xincheng

He Ziqiu is not just a second lead in matters of love, but also in life. He grows up with a feeling of "never really being chosen".

Compared to other characters, Ziqiu often keeps his feelings to himself. He rarely expresses what he feels, but that is precisely what makes him feel real.

His struggles are not always grand, but quietly very heavy. Many viewers feel that this character is too good to keep getting hurt, and that’s where the respect arises.

4. Yan Xun in Princess Agents (2017)

Actor: Shawn Dou

Yan Xun is an example of a second lead who undergoes drastic changes. Initially, he is a warm, cheerful, and loving character.

However, a great trauma transforms him into a tough and ambitious person. He is no longer the same individual, and that is what makes his story feel tragic.

The audience is made to see two sides of him: a hopeful past and a painful present. The journey of such a character leaves a very strong impression.

5. Hao Du in The Long Ballad (2021)

Actor: Liu Yuning

Hao Du may not be the main second lead in the story, but his presence is very captivating.

At first, he appears cold and stiff, but gradually reveals an unexpected gentle side. His character development feels natural and satisfying.

Many viewers actually feel that the relationship he has is more sincere and comfortable compared to the main couple. This is what makes him one of the most beloved second leads.

6. Tang Zhou in Immortal Samsara (2022)

Cast: Cheng Yi

Tang Zhou is a character that brings a different vibe to the story. He has a strong emotional connection with the female lead, yet he still finds himself in a difficult position.

With a calm and thoughtful personality, he shows selfless love. He does not force, nor does he demand.

Characters like this often leave a deeper impression, as they feel mature and realistic.

7. Why Do Second Leads in Chinese Dramas Feel More Impactful?

Unlike many other dramas, second leads in Chinese dramas are often written with a more subtle and realistic approach.

They do not always strive to win love, but rather:

  • Choose to yield
  • Keep their feelings hidden
  • Prioritize the happiness of others

This makes the emotions felt by the audience much deeper. It’s not just pity, but also a sense of respect for the character.

Second lead syndrome in Chinese dramas is not just about unrequited love, but about how someone can endure in an elegant manner even when they have to let go.

(kpl/chn)

Disclaimer: This translation from Bahasa Indonesia to English has been generated by Artificial Intelligence.
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