Film Review JAY KELLY: Mega Celebrity Striving for Reconciliation

JAY KELLY presents the point of view (POV) of several characters at once. It implies that a story cannot be understood from just one side.

Through Jay Kelly, we can get a taste of what it's like to have the privilege of a mega star.

With ease, matters can be resolved. Riding in a private jet, branded goods, luxurious homes, are just a small part of what Jay can enjoy. 

Behind the glitz, the story will take us to the bitter side of being a Jay Kelly. One of the most noticeable issues is certainly privacy. Wherever Jay goes, there will be fans approaching and paparazzi. Relaxing in public spaces is truly impossible.

Audiences are taken back to the past of Jay Kelly several times, where there are people who contributed to his success but he forgets about them. One instance is when Peter Schneider, the director who made Jay Kelly famous, passed away; it was then that Jay Kelly was overwhelmed with regret because he could not help Schneider during his difficult times.

The dynamics of the relationship between Jay and his manager, Ron Sukenick (Adam Sandler), is the lifeblood of this film. From Ron's story, who continually sacrifices time with his family to take care of Jay Kelly, we will gradually be shown what that dynamic looks like. Layer by layer.

Existentialism crisis becomes a major theme in this film. This is addressed by director Noah Baumbach slowly and sweetly through Jay Kelly's journey with his two managers.

Jay Kelly's journey to find answers to this 'emptiness of life' is presented in elegant and glamorous cinematography, highlighting interiors, whether it's a studio, a train carriage, or a home. Combined with shots of the characters' expressions to emphasize their emotions.

The writer gives a rating of 7/10. Watching this film feels like accompanying Jay Kelly in his quest for reconciliation. There are moments we can savor, but beyond that, we will enter a new world. Feeling what it's like to be a mega star celebrity.